Italy Without Stability

Italy Without Stability

Italy’s Broken Thread

Machiavelli wrote The Prince in a world where political continuity had snapped. In Ada Palmer’s account, the crisis was not simply that Italy had cruel rulers or too many wars. The deeper problem was that many Italian city-states had recently lost the long habits that make a government feel legitimate.

When a government lasts for generations, people may complain about it, but they also know how it works. Its offices, rituals, laws, and ruling families become familiar. That familiarity gives the regime staying power. Once a ruler is overthrown, a republic dissolved, or an old settlement broken, the replacement does not inherit the same trust.

Palmer describes this as a pattern: one regime change often leads to five more. Once the thread of continuity is cut, everyone can imagine the government being replaced again.

City-States on a Tilted Board

Map showing Renaissance Italy divided into multiple city-states and territories such as Florence, Milan, Venice, Naples, and the Papal States.
A map of Renaissance Italy helps learners see that Machiavelli’s world was a patchwork of competing city-states and territories rather than a unified nation, making the section’s political vulnerability concrete."087 gnuckx Fontana_della_Vergogna-Palermo-Italy-castielli_CC0_HQ" by gnuckx select1 BY

Italy in Machiavelli’s lifetime was not a unified nation-state. It was a landscape of city-states, republics, duchies, papal territories, family regimes, and shifting alliances. Florence, Milan, Venice, Naples, Bologna, and many smaller powers had to survive beside one another while foreign monarchs and local warlords pressed in.

By the time Machiavelli was writing The Prince, Palmer argues, the majority of Italian polities had experienced recent upheaval. That made them vulnerable in two ways:

  • Their people had weaker attachment to current rulers, because those rulers had not governed long enough to seem permanent.
  • Their rivals knew they could fall again, because recent history had already proven that governments could be toppled.

To Machiavelli, this meant instability was not accidental. It was built into the political situation. A ruler who had just seized power could not assume obedience. A republic that had just been restored could not assume loyalty. A city that had recently watched one regime fall had already learned that regimes can fall.

The Papacy Made Instability Worse

Renaissance pope presented as a political ruler, surrounded by advisers, soldiers, or symbols of territorial power.
An image of a Renaissance pope in a political or military setting would reinforce the lesson’s point that popes acted as territorial rulers and power brokers, not only spiritual leaders.

The second source of danger was the papacy. Renaissance popes were not only spiritual authorities. They were also territorial rulers, military actors, and patrons of family power.

Palmer emphasizes a crucial dynamic: each pope expanded what later popes felt entitled to do. If one pope overthrew a city government to install his illegitimate son, the next pope might do it to three cities, and the next to five. Over time, extraordinary interventions became precedents.

This mattered because the papacy was elective, not hereditary. A city could plan around a dynasty more easily than around an elected pope. Every decade or so, a new pope might arrive, often backed by people hostile to the previous pope’s faction. That new pope could reverse alliances, remove old appointees, promote relatives, and knock over governments like pieces on a chessboard.

So Italy faced a double instability:

  • Local regimes had lost legitimacy through repeated upheaval.
  • **The papacy kept re-r9